JNS.org offers Holocaust stories, news and analysis from the Second World War and the Nazi era. Particularly, every year JNS.org covers the annual International Holocaust Commemoration Day on January 27 and Israel’s Yom Hashoah every spring. To select another topic, choose from the other content “categories” in our navigation bar.
While the annual marking of International Holocaust Remembrance Day Jan. 27 gives voice to the stories of victims of the Nazis’ atrocities, what can Germans know about perpetrators from their own family? That was precisely Maya Levy’s question when she contacted the German government agency Deutsche Dienststelle (WASt) to investigative the Nazi past of her paternal grandfather. The WASt eventually informed her of her grandfather’s army ID and tank unit, named after Gestapo founder Hermann Goering. “He never spoke about the war when he came back, like everyone else, and nobody asked,” Levy said. The WASt helps descendants of Nazi soldiers learn more about the sensitive subject of their father or grandfather’s service. “For a long period of time, it was like a taboo,” said Hans-Hermann Söchtig, the WASt’s director. “The [wartime] generation didn’t talk about this era. It was a gray zone.”
About a month after JNS.org columnist Ben Cohen wrote about a group of British animal rights activists who employed Nazi imagery in a campaign against a kosher slaughterhouse, there have been three more significant episodes involving the Holocaust and the Nazi era, leading Cohen to believe he underestimated the scale of the problem. If the Holocaust is now primarily a political instrument, rather than a central historical memory with a direct bearing upon both politics and ethics, we can expect further manipulation of the past to serve the imperatives of the present. From the "Hitler" chatter on social media all the way up to the new guardians of Holocaust memory, the politicization of the Holocaust is a distinct challenge facing the current Jewish generation, Cohen writes.
When Fania Bilkay and her son Evgeni stepped up to her desk, Sima Velkovich, a staffer in the archives division of Yad Vashem - The World Holocaust Remembrance Center in Jerusalem, was winding down what appeared to be an ordinary work shift. But suddenly, she was pulled into the center of a complex family drama that reached its climax this week. Bilkay had visited a Warsaw synagogue where she discovered a form on Yad Vashem's Central Database of Shoah Victims' Names that counted her father among those killed by the Nazis, despite the fact that her father survived the Holocaust and died of natural causes in 1983. What Bilkay didn’t know that day in Warsaw was that by disputing the recorded evidence of the “murder” of her father, she was about to be begin a journey that would unite her with relatives she had never known existed. The family reunion took place in Jerusalem Dec. 13.
A recently deceased co-star of the most widely viewed Holocaust drama in American television history was raised Catholic, but said he was so deeply affected by the role that he "became a Jew" in his view of the world. Fritz Weaver, who died Nov. 26 in New York City at age 90, co-starred on “Holocaust,” a four-part miniseries that aired on NBC in mid-April 1978. The miniseries chronicled the fate of Europe's Jews under Hitler through the fictional lives of a Nazi war criminal and a German Jewish family.
Master Sgt. Roddie Edmonds never spoke about his experiences as a prisoner of war during World War II. Captured during the Battle of the Bulge, Roddie survived an arduous march through frozen terrain and was interned for nearly 100 days at Stalag IXA, a POW camp near Ziegenhain, Germany. “Son, there are some things I’d rather not talk about,” Roddie would tell his boys, Kim and Chris Edmonds, when they were young. When Roddie died in 1985, Chris, now a Baptist pastor, inherited his father’s war diaries. Now that his father’s wartime stories are known, Chris said his life has been “turned upside down.” The Jewish Foundation for the Righteous, an organization that identifies non-Jewish rescuers of Holocaust survivors and pays tribute to their courage, honored Roddie’s memory Nov. 28 with the Yehi Ohr Award during the foundation’s annual dinner at the New York City Public Library.
Some may think anti-Semitism ended decades ago, when the horror of the Holocaust was exposed. But the new anti-Semitism is expressed by those who are anti-Israel, masquerading behind humanitarian relief, nongovernmental organizations and so-called “reconciliation” ministries, according to Carla Brewington, a Christian volunteer with the organization StandWithUs.
The story of two of these honored heroes, American minister Waitstill Sharp and his wife, Martha, is brought to life in the new Ken Burns film, “Defying the Nazis: The Sharps’ War,” airing Sept. 20 on PBS stations nationwide.
The Sharps' grandson, Artemis Joukowsky, co-directed the compelling new documentary with Burns, which sheds light on how the couple saved refugees from Nazi persecution while the war raged on in Europe.
At a memorial in Rwanda to the victims of the 1994 genocide, Israeli Prime Minister Benjamin Netanyahu this week wrote in the visitors’ book that he was “reminded of the haunting similarities to the genocide of our own people.” Certainly all instances of genocide have some characteristics in common. But perhaps the most compelling analogy between the Holocaust and the Rwandan slaughter concerns the international community’s apathetic response to the news of those genocides, writes historian Rafael Medoff.
A German court recently sentenced 94-year-old Reinhold Hanning, a former Nazi, to five years in prison for being an accessory to the murder of 170,000 Jews between January 1942 and June 1944, when he served as an SS guard at the Auschwitz death camp in Nazi-occupied Poland. Both of Nathan Moskowitz's parents survived Auschwitz during Hanning’s “service” and assisted prosecutor Thomas Walther with Hanning’s trial. In the aftermath of the Hanning sentencing, Moskowitz—the author of “Kuzmino Cronicles: Memoirs of Teenage Holocaust Survival”—reflects on the significance of labeling the evils of the past and the present.
More than a dozen years ago in Worcester, Mass., Prof. Deborah Dwork got a letter from a man in Switzerland she’d never heard of. Ulrich Luz told her about something he’d discovered packed away in a suitcase among his late aunt’s belongings that might be of interest to Dwork. Indeed it was—so much so that she is now writing a book about it. The nephew had heard about Dwork's work for the Strassler Center for Holocaust and Genocide Studies at Clark University. So when he discovered more than 1,000 letters his aunt Elisabeth Luz had sent back and forth between hidden children and their parents from the time of the Holocaust, he had a hunch Dwork might find the collection to be of value. He began sending Dwork packets of the letters—and then Dwork began the long process of scanning, sorting, transcribing, and translating them. The letters had gone from parents in Greater Germany to their children hidden in France, Belgium, the Netherlands, and England. Several-hundred families are represented in the collection.
When it comes to Iran’s latest Holocaust cartoon contest, JNS.org columnist Ben Cohen confesses to being more bored than shocked. Such imagery is hardly new, as the contest submissions’ depictions of Jews come straight out of Nazi propaganda. The Islamists who run Iran may be many things, but creators of pathbreaking art they are definitely not. As fashionable as it is in President Barack Obama’s circle to pretend that the Iranian regime is in the throes of dramatic change, with a surging “moderate” wing that wants to engage the West, the cartoon contest demonstrates that the mullahs’ cannot kick their enduring pathology: striking a blow at the global Jewish conspiracy by wiping Israel off the map. Even if we accept for the sake of argument that the regime can be simply bifurcated into “moderates” and “hardliners,” those Iranian leaders identified in the West as “moderates” come out of this latest cartoon scandal looking far shabbier than their “hardline” rivals, writes Cohen.
In our current age of constant Holocaust analogies, Jacob Kamaras admits that he has been guilty of “Holocaust fatigue.” But he doesn’t want to feel that way. His late grandparents on his mother’s side survived the Holocaust. For a grandchild of survivors, the Holocaust should be consistently meaningful. Therefore, beyond his professional duties of covering the annual March of the Living walk from Auschwitz to Birkenau as a journalist, he hoped that the event would help cure his “Holocaust fatigue” and desensitization to news stories of all varieties. He wasn’t cured in a day, but fittingly, what might have put him on the path to being cured was others’ desensitization. At March of the Living, Kamaras writes, he shared young participants' experience of taking important steps in the journey toward learning how to emotionally connect, learning how to feel, and learning how to live.
Why should the casual observer care about the seemingly obvious need to prosecute and convict Nazi war criminals, whether it be during the Nuremberg trials of the 1940s or similar proceedings in more recent years? “The Nuremberg trials only convicted the leaders and a relatively small number of people,” retired Harvard Law School professor Alan Dershowitz told JNS.org. “Even for the trials that occurred thereafter, we’re talking about just hundreds of people…and for years they were protected. And there’s no statute of limitations on genocide and war crimes. So it’s very important that everybody in the world who is contemplating committing genocide understand that they will never be able to live out their life without being held legally accountable.” Dershowitz and Irwin Cotler, renowned human rights attorneys and pro-Israel advocates, took center stage in the Polish city of Kraków on March 4 for a symposium held to mark the 80th anniversary of Nazi Germany’s anti-Semitic Nuremberg Laws and the 70th anniversary of the Nuremberg trials. While the Nuremberg Laws were a precursor to the Holocaust, the Allied forces’ military trials of 13 prominent Nazi leaders served as a foundation for contemporary international humanitarian law. “We’ve learned that if you do not bring war criminals to justice, what you do is you not only encourage impunity, you embolden the war criminals and you encourage more war crimes,” Cotler told JNS.org.
Never forget. It’s a phrase that has become synonymous with the Holocaust. But what happens when survivors don’t want to remember the things we’re told to “never forget?” Putting together a six-part film series helped Sarah Kamaras realize that recognizing a survivor’s unwillingness to speak about his or her experiences bridges the gap between “universal” and “unique” when it comes to understanding the events of the Holocaust.
Jay Greenfield, an 83-year-old career lawyer, retired to devote his time to writing novels rather than legal briefs. Now he is releasing his debut novel, “Max’s Diamonds,” on May 1. A story that captures the pain of the Holocaust, while exploring the lives that grew out of the darkness, “Max’s Diamonds” enables the reader to relate to—and even get a glimpse into—the buried memories of the Shoah, writes Ronn Torossian.
On the surface, it seems unlikely that an American composer—let alone a Southern Baptist from Alabama—would write a musical treatment about a largely unknown Holocaust hero. But for musical composer Neely Bruce, creating an oratorio depicting the life of Aristides de Sousa Mendes, a Portuguese diplomat who rescued thousands of Jews from the Nazis during World War II, was a dive into history, politics, and musical exploration. Bruce, who was raised a Southern Baptist, considered converting to Judaism after a cousin married a Jew, and he was further exposed to the culture and theology. Though he didn’t, his strong interest in Judaism remained. What pulled him to the project though was the political backstory. “This wasn’t just one man doing a good thing. He was defying his government, which was not on the right side of history,” Bruce told JNS.org. New York City’s Center for Jewish History is hosting a Sousa Mendes exhibition, “Portugal, The Last Hope: Sousa Mendes’ Visas for Freedom,” from April 7-Sept. 9, 2016.