Claudia Roth, Germany’s culture minister, recently persuaded the Pinakothek der Moderne modern art museum in Munich to remove a Pablo Picasso painting with suspicious provenance.
The Jewish art collector Paul von Mendelssohn-Bartholdy owned the 1903 painting of the wife of the Spanish painter’s tailor friend. Amid rising antisemitism in the early 1930s, the collector sent it and other artworks to art dealer Justin Thannhauser in Switzerland. Mendelssohn-Bartholdy died in 1935.
In 1964, Thannhauser sold the portrait to Bavaria in southeast Germany, which has been displaying it at the state museum ever since.
Despite claims of Julius Schoeps, a descendent of Mendelssohn-Bartholdy and historian who wrote a book on “Madame Soler,” the museum claims that the sale of the artwork was kosher, rather than the result of Nazi coercion.
Schoeps has sought to reclaim other works by Picasso, including unsuccessfully from New York’s Museum of Modern Art and the Guggenheim Foundation. He also failed to recover a Picasso work now owned by the Andrew Lloyd Webber Foundation.