“Our actions dramatically weakened the radical axis in the Middle East led by Iran. All of the Middle East, Europe and the world enjoy the fruit of our actions even when they condemn them,” stated Gideon Sa’ar.
Hostile statements were spray-painted along the length of a school building, including: “Israel spit on Christians. They hate the world,” and “Israel kills kids.”
Palestine Broadcasting Corporation (PBC) Director Rafat Al-Qudra made the claim about the genetically engineered rodents to Fatah-run Awdah TV on April 15.
It appears as “a living educational framework—a connection between Jewish communities in Israel and abroad, and a reflection of the strength of these communities across generations.”
As the arts world legitimizes bias against Israel in the post-Oct. 7 world, a hit play about author Roald Dahl’s Jew-hatred explores the intersection of culture and prejudice.
Contrary to media reports, there are no “major disputes” between Israel and Lebanon. The major disputes are between Israel and Hezbollah—and between Hezbollah and Lebanon.
“Our actions dramatically weakened the radical axis in the Middle East led by Iran. All of the Middle East, Europe and the world enjoy the fruit of our actions even when they condemn them,” stated Gideon Sa’ar.
Hostile statements were spray-painted along the length of a school building, including: “Israel spit on Christians. They hate the world,” and “Israel kills kids.”
Palestine Broadcasting Corporation (PBC) Director Rafat Al-Qudra made the claim about the genetically engineered rodents to Fatah-run Awdah TV on April 15.
It appears as “a living educational framework—a connection between Jewish communities in Israel and abroad, and a reflection of the strength of these communities across generations.”
As the arts world legitimizes bias against Israel in the post-Oct. 7 world, a hit play about author Roald Dahl’s Jew-hatred explores the intersection of culture and prejudice.
Contrary to media reports, there are no “major disputes” between Israel and Lebanon. The major disputes are between Israel and Hezbollah—and between Hezbollah and Lebanon.
As the arts world legitimizes bias against Israel in the post-Oct. 7 world, a hit play about author Roald Dahl’s Jew-hatred explores the intersection of culture and prejudice.
Every concession offered at the table is interpreted as weakness. Every pause is time purchased for the next phase of horizontal and vertical escalation.